Ivanhoe chun-ho lam
Over the past decade, Ivanhoe Lam has used accumulated technical skills to integrate multimedia design into his projects in surprising and original ways, while his directing experiences have demonstrated his facility across disciplines.
CREATING
Instead of relying on what has worked before without interrogating our own biases and blindspots, Ivanhoe encourages a constant re-examination of creative processes, with proper thought given to the incredible tools and resources at hand.
BRIDGING
By bringing together artists with diverse backgrounds, methods and aesthetic approaches, Ivanhoe believes personal, multivalent performances that resonate for global audiences can be developed.
EXPANDING
Ivanhoe is interested in breaking down the boundaries between artforms, to allow artists and audiences to communicate and build meaning(s) together, while deconstructing and reconsidering our shared, inherited vocabulary.
TRANSCENDING
Through the upcoming research and development tenure, Ivanhoe is seeking to anticipate and explore newer forms of expression in contemporary theatre. He hopes we can transcend what once felt like hard limits.
About
Ivanhoe Chun-ho Lam, born in Hong Kong 1986.
A choreographer and cross-disciplinary theatre-maker.
He received a diploma in Drama and Dance (Contemporary Dance) from The Hong Kong Academy for Performing Arts and a Bachelor of Fine Arts in Choreography from Codarts in Rotterdam. His recent own creation include Hedwig and the Angry Inch (WestK x Ivanhoe Lam x Jordan Cheng), Still, Not Still (Opening Performance for New Venue of HKADC), Living Up to Death (City Contemporary Dance Company), Report ii - the illegal i (New Vision Arts Festival 2021), Living up to HER (Jockey Club New Arts Power 2019), Report i - Which i am I (Jockey Club New Arts Power 2018), Pretext Quartet (New Vision Festival 2016) and Even Odd (HK Arts Festival 2014). In 2015, he took part in a three-month artist residency at the Zurich University of the Arts, where he collaborated with ten Swiss artists to curate and create the multidisciplinary performance Odd Couplings.
His work spans stage direction, choreography and movement design. His collaborations include Pulse/Pulse/Pulse (Dimension Plus), The Impossible Trial - a Musical (WestK x Hong Kong Repertory Theatre) The Little Things in Life (Yatpo Singers); Garden of Repose (HK Arts Festival 52nd); St. John Passion (New Vision Festival 2023); Gay Games 11 in Hong Kong Opening Ceremony; Midsummer Night’s Dream (HK Philharmonic Orchestra); The Taming of the Shrew (PassoverDance); St. John Passion Tour in Germany (Lautten Compagney Berlin x SingFest HK); To Damascus Road and 1894 Hong Kong Plague – a Musical (Hong Kong Repertory Theatre); The Originals – HK Musicals in Concert (by Leon Ko x HK Sinfonietta); Coming and Going (Chan Fai-young x Women’s Choir); Why We Chat and Finding Loveless Land (Edward Lam Dance Theatre) etc.
His works have toured Berlin, Erfurt, Shanghai, Dusseldorf, Zurich, Guangzhou, Beijing, Singapore, Rotterdam and Amsterdam.
![【最後入場機會】《Song From FAR Away II FAR Away From Song》最後今明兩場演出，所有套票滿座完售！現正公開發售少量「兄」場單票。
早前加開的一票兩演套票已全部售罄，感謝各位觀眾的支持，台前幕後團隊正熱切期待在劇場與大家相遇。
因應觀眾查詢，團隊仔細研究後，決定開放最後兩日「兄」《Song From FAR Away》尚餘的少量座位作單獨購票，讓未能成功購票的觀眾，仍有機會體驗這趟旅程的……一半。我們明白這未必能滿足希望完整體驗的觀眾，但受限於今次演出的空間設計，實在未能再加開更多座位。
祝大家把握最後機會購票成功，在場內呷一口 Gin & Tonic，細聽兄的七封信！
(購票資料請查閱留言區)
[FINAL CHANCE] 𝘚𝘰𝘯𝘨 𝘍𝘳𝘰𝘮 𝘍𝘈𝘙 𝘈𝘸𝘢𝘺 || 𝘍𝘈𝘙 𝘈𝘸𝘢𝘺 𝘍𝘳𝘰𝘮 𝘚𝘰𝘯𝘨 enters its final two performances today and tomorrow, all two‑show-one-journey tickets are completely sold out! A very limited number of single‑performance tickets for ‘Big Brother’ 𝘚𝘰𝘯𝘨 𝘍𝘳𝘰𝘮 𝘍𝘈𝘙 𝘈𝘸𝘢𝘺 are now available.
All previously released two-show tickets have been fully sold out. Thank you so much for the incredible support, the team is truly looking forward to meeting you in the theatre.
In response to audience enquiries, and after careful consideration, we have decided to release the remaining limited seats for ‘Big Brother’, 𝘚𝘰𝘯𝘨 𝘍𝘳𝘰𝘮 𝘍𝘈𝘙 𝘈𝘸𝘢𝘺, over the final two days, giving those who missed out a chance to experience half of the journey.
We understand this may not fulfil the wish of everyone hoping to experience the complete work. However, due to the spatial design of this production, we’re truly unable to release any further seats.
Wishing you success in grabbing this last chance — see you inside with a sip of Gin & Tonic, as you listen closely to the brother’s seven letters.
Photo by Thomson Ho
(Tickets information in comments)](https://scontent-den2-1.cdninstagram.com/v/t39.30808-6/622857535_1359452069529824_4296949013414567206_n.jpg?stp=dst-jpg_e35_tt6&_nc_cat=103&ccb=7-5&_nc_sid=18de74&efg=eyJlZmdfdGFnIjoiRkVFRC5iZXN0X2ltYWdlX3VybGdlbi5DMyJ9&_nc_ohc=TB0N0pEb-tcQ7kNvwHqXpxZ&_nc_oc=AdqiIeOqm-yFZ5skjCN64FFuv0pfr5l7clNxJ0k_NePyEZWHy0vaT8OmhoUGbPlXDlY&_nc_zt=23&_nc_ht=scontent-den2-1.cdninstagram.com&edm=ANo9K5cEAAAA&_nc_gid=mEfYQboUQrNoTQCWZLr5Kw&_nc_tpa=Q5bMBQF7Id4S41y3B7KU7qnwz571k3P8G47yEl--xoTU60by-xggaGiGd3e_tcly9yIfgThJVG3HLd1l&oh=00_Afx4o8kz6dh-t8MbdSDeUoh_hElcc3qz1nfpBjh5Mcloqg&oe=69CE24B1)
